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On January 31, 1999, Intocable were in an auto accident that claimed two bandmembers (José Ángel Farías and Silvestre Rodríguez) and seriously injured the others, Muñoz included. In March of 1998, the group performed for a crowd of over 65,000 at the Houston Astrodome - the first of numerous arena shows over the years for which Intocable would become renowned - and Intocable (1998) followed shortly afterward, as did its hit singles ("Amor Maldito," "Perdedor," and "Huracán"). Lo Mejor de Intocable: 12 Super Exitos (1997) capped off the band's opening run of breakthrough success.nnThe success continued unabated for Intocable - mostly, that is, with the exception of one tragic episode. Intocable IV (1997) couldn't match the heights of Llévame Contigo, but it still proved mighty popular, spawning two number one hits ("Eres Mi Droga," "Vivir sin Ellas") and a Top Five ("Dónde Estás?").
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Moreover, Llévame Contigo also hit number one on the regional Mexican chart and broke into the Top Latin Albums Top Five. (1993), the band signed a contract with EMI Latin, for which the guys recorded their major-label debut, Fuego Eterno (1994).nn The follow-up, Otro Mundo (1995), was Intocable's first album to chart, eventually breaking into the Top Five of the Regional Mexican album chart, thanks in part to a trio of hits: "La Mentira," "Coqueta," and "Parece Que No." Llévame Contigo (1996) picked up where its predecessor left off, spinning off more hits: "No Te Vayas," "Ya Ves," "Llévame Contigo," and "Y Todo Para Qué?" One of these, "No Te Vayas," became the group's first to top the regional airplay chart, even breaking into the Top Five of the Hot Latin Tracks chart - impressive for a regional Mexican single. Intocable began their recording career with Freddie Records, an independent label based in Corpus Christi, Texas. Sadly, group members Silvestre Rodríguez (electric bass) and José Ángel Farías (group animation, rhythms) were killed in an auto accident in 1999, along with José Ángel González (their road manager). The group also includes Dany Sánchez (bajo sexto, second vocals), Sergio Serna (percussion), Félix Salinas (electric bass), Johnny Lee Rosas (bajo sexto, choruses), and José Juan Hernández (group animation, rhythms). For instance, they were regularly nominated for Premio Lo Nuestro and Latin Grammy awards, and they often won - in 2005 they took home Latin Grammys for both Best Norteño Album (Diez) and Best Regional Mexican Song ("Aire") 2013's En Peligro de Extincion spent 30 weeks in the Top Ten, and Highway, with its upbeat fusion of norteño and roots rock, won them an entirely new audience in 2016.nn Friends Ricky Muñoz (lead vocals, accordion) and René Martínez (drums) formed Intocable in Zapata, Texas, in the early '90s. The band were critically acclaimed as well, with a long list of awards to its credit.
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But within Mexican and Mexican-American strongholds, Intocable were as revered as any pop stars, and likely more respected.
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Granted, those pop stars enjoyed international adoration, whereas a regional Mexican act like Intocable, for reasons of cultural specificity, was geographically limited to Mexico and the United States. They were among the few regional Mexican artists - along with the aforementioned Tigres del Norte and Conjunto Primavera, as well as superstars like Marco Antonio Solís and Ana Bárbara - who rivaled the popularity and cultural impact of Latin pop stars such as Paulina Rubio, Juanes, and Thalía. Intocable took pride in their devoted following, which allowed them to sell out massive arenas filled with tens of thousands of fans. Between 1999's Contigo and 2016's Highway, they also placed ten albums in the Top 200. In all, nine of their albums peaked at either one or two on the Latin Albums chart and ten hit number one at Mexican Regional Albums. Followed by a pair of chart-topping albums in 2003 - Crossroads: Cruce de Caminos, and La Historia, established a pattern for the group. Intocable established themselves as one of the most steadily popular and commercially successful regional Mexican acts of their day with recordings such as 1999's number one Contigo. However, their Texan roots and frontman Ricky Muñoz's gift for graceful pop melodies, among other subtleties, differentiate them from more traditional genre acts such as Los Tigres del Norte and Conjunto Primavera. The group even fashions itself as norteño (i.e., the cowboy look). Intocable's style of Tejano is undeniably norteño in nature, driven by polka rhythms and heavily accented by accordion. Intocable rose to mass popularity in the late '90s and arguably became the most successful Tejano act of their day.